![]() To this day, Thompson's reputation as a producer far outweighs the respect he garnered as a singer. The cultural numbers are just as strong, and songs like 'Run Down Vanity' and 'Poor Man' are classics, but even more potent were 'Shouldn't Lift Your Hand,' and the title track, which tackles domestic violence and addresses irresponsible young men respectively. The disappointment that fills 'She Gone,' the emotional power of 'Yes I'm Coming,' the beauty of 'Love Me Forever,' all are fabulous and enhanced by the Radics' own melody-strewn performances across a stream of resurrected musical gems, which keyboardist Wycliffe 'Steely' Johnson infuses with a pure Studio One sound. Baby Father was stuffed with gorgeous love and lovelorn numbers, and each one was a stunner. ![]() This was as true on Thompson's romantic numbers as on his cultural ones. In general, the singer had a gentle vocal style, although he imbued it with absolute conviction, leaving no doubt that when he cried 'really and truly' - his dancehall catch phrase at the time, he absolutely meant every word he was singing. However, the latter album also boasted saxophonist Dean Fraser and trombonist Ronald 'Nambo' Robinson, and their inclusion in the line-up seems to have pushed Thompson to even greater emotional heights. Both sets were self-produced at Channel One studio, with Anthony Hamilton at the mixing board, and the Roots Radics at their finest. "The follow-up to Linval Thompson's classic 1982 album, Look How Me Sexy, Baby Father arrived the following year, and was equally masterful. As is the case with his Harvest Time record, Day to Day Living includes some of the best music Carlos released in the '80s." -AllMusicĢ022 repress. Special mention should also be made of Winston Wright's tasty organ work throughout the set, and 'Flabba' Holt and 'Style' Scott's rock-solid rhythmic support. While producer Henry 'Junjo' Lawes (Barrington Levy, Eek-A-Mouse) supplies the album's rugged but slick backdrop, Scientist delivers a spacious, dub-tinged mix. Babylon' and 'English Woman,' with the updated rock-steady cut 'I'm Not Crazy' standing out in particular. ![]() Musically, Carlos alternates between the dimly lit, minimalist drum'n'bass backdrops on 'Street Life' and 'Hog and Goat,' and sunnier, bubbly organ and horn-driven cuts like 'Hey Mr. ![]() With his slightly hoarse yet sweet vocals, Carlos takes on his usual topical mix of spiritual/Rastafarian themes, ghetto life, and dancehall culture, showing the kind of lovers rock and roots lyric blend also favored by contemporaries like Gregory Isaacs and Dennis Brown. "Featuring the excellent backing of the Roots Radics band, Don Carlos' Day to Day Living includes ten self-penned, sophisticated roots-reggae cuts. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |